The Orange Flower - Painting by Sarah Myers

The Orange Flower, Sarah Myers.  Acrylic on canvas, 2020.

She turns toward us, but her dark eyes remain averted; the expression of her scarlet mouth and her downward glance shows she is deep in her own thoughts. The bloom in her hair flares like a torch against the rich blue of the background. Painted 2020, acrylic on canvas.

The Orange Flower, detail.  Sarah Myers, 2020.

The Orange Flower, Sarah Myers, 2020.  Detail of flower.

The Orange Flower.  Close-up.  Sarah Myers, 2020.

The Green Flower - Painting by Sarah Myers

The Green Flower, Sarah Myers
Acrylic on canvas, 2019

She glances downward gently, lips smiling at some pleasant, quiet thought.  Long, simple lines form the shapes, head elegantly poised on the neck with its graceful curve.  At the top, a little burst of acid-green marks the bloom she wears pinned in her hair, a bright hue which stops and accentuates the lengthy contours creating the rest of the image.  She is surrounded by a warm atmosphere of rose-pink and vibrant orange bordering on brown.  Behind her, blue shades toward the realm of purple and lilac.  Acrylic on canvas, 2019.

The Green Flower, Sarah Myers, detail of face.

The Green Flower, Sarah Myers, detail of flower.

The Green Flower, Sarah Myers, detail.

Sidewards Glance - Painting by Sarah Myers

Sidewards Glance, Sarah Myers.  Acrylic on canvas, 2019.

The dashing sweep of her hat darts in same direction as her eyes… Black, red, blue all rush across the canvas of the first painting in my newest series of artworks. Simple, rapid brush strokes define the face with its sideways glance and slightly parted, slightly smiling lips. A wider range of play from a larger brush, loaded with rich, intense black, gives the rough outline of the hat. Yellow-orange and even metallic gold speak from time to time to detail the woman's lively expression or the edges of her stylish headgear. November 2019.

Sidewards Glance, Sarah Myers.  Detail.

Sidewards Glance.  Detail.  Sarah Myers.

Two Ladies and Sky - Drawings by Sarah Myers

Lady with a Flock of Sparrows, Sarah Myers
Charcoal on paper, 2019

A lady with a flock of sparrows fluttering in the air behind her, the whirl of their wings echoing the spiral of the long ringlets trailing down her shoulder… and a woman staring earnestly out at us from a background filled with climbing, billowing clouds which mirror her bouffant bows, her frills and edges of lace. These two drawings are part of a recent collection of artwork in charcoal, sketched with simple lines across large sheets of paper. The darker, stronger charcoal contours follow paler pencil lines which form the preparatory stage.

I am happy to finally return to my blog – after a long and very unintended absence – and to post these two sketches here.

Woman with Clouds, Sarah Myers
Drawing in charcoal, 2019

Lady with Sparrows, detail of face.
Sarah Myers

Woman with Clouds, Sarah Myers
Detail of face

Lady with Sparrows, detail of birds.
Sarah Myers

Woman with Clouds, detail
Sarah Myers

Eris with the Apple of Discord - Sculpture by Sarah Myers

Eris with the Apple of Discord, Sarah Myers

Eris with the Apple of Discord, Sarah Myers
2018, terracotta

     The precious fruit poised in her hand, she turns, watching for her moment; heavy cloak clutched tightly across her side but right arm lightly lifted to aim. Her eyes glow with a sudden spark…
    In Greek legend, Eris – Discord – stirred by mischief, secretly brings a golden apple inscribed “To the Fairest” with her to a wedding feast on Mount Olympus, and, at the height of the revels, tosses it into the midst of the celebrating deities. The treasure, claimed and counter-claimed by the most powerful goddesses of the Grecian theogony, causes a quarrel which wreaks havoc on the serenity of the divine abode, and this squabble in its turn causes the grief and pain of the Trojan War among mortals far below.
    I have never been able to feel that the gravity of the results could place a greater responsibility Eris than on the other mightier beings that took the conflict so much farther; and her playful objectivity (after all, the apple could have remained hers) gives a certain sympathy to her place in the myth. So I chose this subject in spite of its mischievous, almost militant, nature, as I saw in it the possibility to capture a form I've long wanted to investigate; a sculptural moment that is both the height of action and a point of stillness and suspended motion. Her hand is just at that transition where the impetus will be imparted to the fruit, which will fly from her a fraction of a second later; and in the expression of her wide eyes and slightly parted lips, you can see her thoughts as she both anticipates the result of her deed and already sees it completed in her mind.
    And there is in this sculpture simply the abrupt glimpse of action conceived and taken, perhaps if abstracted into that one fragment of time, a thing that held the good of its own movement and beauty.

Eris, Sarah Myers
detail from below

Eris with the Apple of Discord
impressionistic detail of hand

Eris with the Apple of Discord, Sarah Myers
sculpture from back

Eris, Sarah Myers
detail of face

Eris with the Apple of Discord, Sarah Myers
Sculpture in terracotta

Two Drawings in Line - Art by Sarah Myers

Abundance with a Cornucopia, Sarah Myers
Minimal line drawing in charcoal

    Here are two drawings with classical inspiration; a figure with an overflowing cornucopia and an Athena with helmet and shield. While the minimal outlines describing them are a style we associate with modernism, it's also true that the ancient Greeks were masters of the very simple, very accurate line that brings so much life and energy to their vase-paintings, and I hope that some of that influence remains in my drawings - even though these quick sketches, made at least partly to express fugitive thoughts on even more transient social media, are very much results of the present era.

Athena, Sarah Myers
Minimal line drawing in charcoal

The Cranach Hat - Sculpture by Sarah Myers

The Cranach Hat, Sarah Myers
Contemporary Sculpture in terracotta

    She tilts her head gently to the side, counterbalancing the elaborate flare of her velvet hat. Around her neck cling rich Renaissance jewels; the top of her bodice is embroidered with a scrolling pattern of stylized leaves and stems; a few stray locks of hair escape from her ornate headgear, which is also beaded and jeweled. Her sidelong glance is thoughtful and bright but almost wistful.

     My most recent sculpture was inspired, as its name implies, by the paintings of a great sixteenth-century painter, Lucas Cranach the elder. His vital, energetic but opulent portrayals struck me as perfect source material for a portrait like this one, created in a vivid red-orange terracotta at about half life-scale.

The Cranach Hat, Sarah Myers
Close-up

The Cranach Hat, Sarah Myers
Detail 

The Cranach Hat, Sculpture by Sarah Myers

The Cranach Hat, detail
Sarah Myers

The Cranach Hat, Sarah Myers

Ladies with Birds, Two Drawings - Sarah Myers

Cherries, Sarah Myers
Minimal line-drawing in charcoal.

    Two drawings show a woman with a swallow and cherries, another lady with a dove and an orange. We might be tempted to think that the swallow was begging for fruit, but if you can see a speck in the air overhead you will understand he is actually looking to catch the little fly that is the winged thing in pursuit of the cherries. And the dove in the next picture is a friendly visitor flying into land, perhaps on the outstretched hand, perhaps on the shoulder. From my collection of line-drawings in charcoal.

Woman with Dove and Orange, Sarah Myers
Minimal line-drawing in charcoal.

Bracelets - Sculpture by Sarah Myers

Bracelets, Sarah Myers
Sculpture in pale terracotta

     She leans forward on the palms of her hands; elaborate bracelets encircle her wrists and her dress front is shaped like a great bow which is echoed by the ribbon perched atop her hair. But her gaze is full of thought, reflective, quiet, contrasting with the extravagance of her clothes and jewellery…

     I created this piece some years ago, using a pale pink terracotta that gives a life-like effect. The composition is a very stable triangle from all sides, with small, lively edges, such as the corners of the hair-bow, the flaring bodice, lines of the bracelets and the very strong direction of the gaze emerging from the three-sided structure to give the sculpture vitality and energy.

Woman with Bracelets, Sarah Myers
Detail of face

Bracelets, Sarah Myers
Sculpture

Woman with Jasmine Flowers - Art by Sarah Myers

Woman with Jasmine Flowers, Sarah Myers
Charcoal, conte, paper-cut and collage

    She looks out from the storm of perfumed jasmine flowers, blooms that blow down and across her and are caught in her stillness. Her face with its intense but motionless glance is reminiscent of ancient portraits from late Rome or from Fayum, but she and the fragile blossoms are clearly from own our time.

      Cut-out, collage, 'decoupe', 'mixed media' are all names for the techniques used; a charcoal and conte portrait was sketched and then cut from brown paper and applied to a sheet of soft grey; white bristol makes her large, handsome collar and the jasmine flowers hovering around her are simple stars of white paper, fastened down lightly.

Woman with Jasmine Flowers, detail.  Sarah Myers
Mixed media.

A Small Sculpture, Kneeling Woman - Sarah Myers

Kneeling Woman, Sarah Myers
Sculpture in stoneware

  She kneels back on her heels, her arms outstretched to catch a garland of silver chain or whatever is placed in her delicate fingers. She looks down – intent and tranquil at the same time, head turned a little aside.

    This tiny sculpture is barely 13 cm high, its details formed with a gentleness appropriate to its size; but in the stretch and the simplicity of position there is a hint of monumentality, and it makes her, for a moment's glance, a real statue expressing her own quiet vitality and gravity.

Kneeling Woman, Sarah Myers
Detail of back.

Kneeling Woman, Sarah Myers

Kneeling Woman, side
Sarah Myers

Kneeling Woman, Sarah Myers

Renaissance Condottiere - Sculpture by Sarah Myers

Condottiere, Sarah Myers
Sculpture in stoneware

Condottiere, Sarah Myers
Contemporary sculpture

     This Renaissance warrior in an impressive helmet may look slightly familiar from a profile among the incredible drawings of Leonardo Da Vinci. My sculpture of some years ago, along with being created in the round, also differs from the Old Master's sketch in the height of the crested helm, which more closely resembles Spanish armour from fifty to a hundred years later. But the scowling, proud profile gazing from under the beaked visor bears a very close likeness, as do the fantastic animals which adorn the front of the burgonet and the breastplate.

     With these photographs I am revisiting a piece produced almost a decade ago. Some things I might do a little differently now, such as reducing the startling size of my signature. But I remain as intrigued by the Da Vinci design as ever, which indeed has been a source of excitement since I first found it in a child's book of Leonardo's art many years earlier still, where the drawing was printed in the small volume I looked at practically before I could read. And the sculpture itself is a solid presence that continues to fill its space admirably, I believe, and one that I remain pleased with as it stares out at me, gaze unchanging, from under the shade of its formidable helmet.  

  

Condottiere, Sarah Myers, detail in monochrome

Condottiere, Sarah Myers
Close-up.  Sculpture in stoneware.

Head of a Woman in Conte & Charcoal - Art by Sarah Myers

Head of a Woman, Sarah Myers
Conte, charcoal on toned paper

    Having finished this sketch this morning I thought I would post it here - the drawing of a face with luminous highlights pouring over rounded forehead and cheeks and leaving a spark in the iris of each eye, while outlining layers of curls and beaded ribbon above. The forward tilt of the head leaves the woman's neck in shadow; lower down the light falls very simply.

The hairstyle is a fantastical one inspired by the Italian painter Fra Filippo Lippi, but the portrait itself tends more toward the tradition of eighteenth century drawings and the mediums used are similar; conte in white, red and brown; charcoal, and toned paper of a light brown.

Head of a Woman, detail.  Sarah Myers