Dancer with Scarf - Sketch by Sarah Myers

Dancer with a Scarf, Sarah Myers
Charcoal, white charcoal, red conte and pencil on brown paper

    Here is a dancer with a scarf. The folds of her robe and the folds of her scarf ripple across the air in hurried curves as she sways to unheard music.

    This sketch was inspired by Renaissance or Mannerist art which shows dancers holding scarves or ribbons – images that were in their turn inspired by late Roman art. My vision grew more modern as I drew, lines scattering over the paper to portray the quick movement of body, cloth and expression.  

Autumn - Art by Sarah Myers

Autumn, Sarah Myers
Cut paper and line-drawing in charcoal.

      Autumn with her tall basket of fruit, a wreath of windblown leaves crowning her dark hair, gazes forward; her dignified profile forms a contrast to the firm lattice and heaped fruit of the bounty she holds. This artwork was created from three kinds of paper; charcoal line-drawing stating most of the shapes, which were then hand-cut and assembled in collage.

Autumn, Sarah Myers.  Detail.

Autumn, Sarah Myers.  Close-up of wreath.

Autumn, Sarah Myers.  Detail of basket with fruits.

Woman's head, sketch in charcoal - Art by Sarah Myers

Woman's Head, Sketch.  Sarah Myers

A sketch in charcoal and white conte on toned paper.  I have used a technique here atypical of my recent work - in this drawing I have rubbed the charcoal across the surfaces to create a softer and more diffuse shading on cheeks, neck and forehead.

Woman's Head, Sketch.  Sarah Myers.  Detail.

Summer - Art in cut paper and charcoal by Sarah Myers

Summer, Sarah Myers
Charcoal, cut paper

Pomegranates, palm-fronds, jasmine stars, grapes and various flowers wreathe around the head of a personification of Summer. A charcoal drawing with cut paper ornamentation of brown, black and white.

Summer, detail
Sarah Myers

Face - Drawing by Sarah Myers

Face in Near-profile, Sarah Myers
Charcoal, conte, pencil, cut paper

    This is a drawing in charcoal, conte, and pencil; after the sketch was finished on light brown paper, the face was cut from the original sheet and backed with white bristol, projecting a sculptural effect.

Face, detail
Sarah Myers

Still-Life with Two Oranges, Painting by Sarah Myers

Still-Life with Two Oranges, Sarah Myers

    Central to this painting are two vessels in warm white stoneware, whose long, handsome lines contrast with the abrupt brightness of the oranges.  The pitcher and handled cup are a muted, gentle tone but hard in their surfaces, where the fruit with its brash colour and simple spheres make a much more yielding substance.

The ceramics were created by Amy Myers. The still-life is acrylic on canvas.

Still-Life with Two Oranges, detail
Sarah Myers

Still-Life, detail
Sarah Myers

Rain - Dots and Circles

Rain on Windshield
Sarah Myers

A simple pattern inspired by a warm summer rain hitting the glass,  I think it would make a pleasant design for a textile.

Drawing, Ocean Figure

Drawing for the Margin of an Antique Map    S. Myers, Charcoal and Conte on Cardboard

   This quick charcoal-and-conte drawing was constructed from three or four studies used for my much larger painting - my new one, which I will introduce in a future post
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   Brown, aged paper is very good for showing conte well - my stash having disappeared temporarily, I requisitioned the top of a strong packing box before inspiration disappeared in the same way as the paper.